In The Early Decades Of The Twentieth Century, European Artists, Poets, And Designers Called For The Destruction Of Outdated Assumptions About Vision And Language Numerous Manifestos Resulted, Demanding New Artistic Forms None Of These Manifestos Was Aggressive And Poetic, Or Wider In Scope Than Filippo Tomasso Marinetti S Futurist Manifesto Of 1909 Painting, Sculpture, Literature, Architecture, Theatre, Cinema, And Music Were All Caught Up In Its Net Typography Until Then A Distant Relative In The Arts Also Played A Major Role In Marinetti S Program Written By Leading Design Scholar Alan Bartram, This Fascinating Book Examines The Rise And Evolution Of The Futurists Approach To Typography And Graphic Design, Placing It Within The Context Of Contemporary Artistic And Literary Movements The Volume Features Examples Of Some Eighty Futurist Books Or Other Designs For Print, Many Of Them Relatively Unknown Or Previously Unpublished, Accompanied By New Translations Of Over Twenty Of The Featured Texts Bartram Illuminates The Complicated Meanings Of The Futurist Designers Graphic Works In Order To Provide A New Understanding Of Their Extraordinary And Influential Visual Language.
Is a well-known author, some of his books are a fascination for readers like in the Futurist Typography and the Liberated Text book, this is one of the most wanted Alan Bartram author readers around the world.
- 160 pages
- Futurist Typography and the Liberated Text
- Alan Bartram
- 09 August 2017 Alan Bartram