Eros & Adonis: The Male Figure in Art History



✅ Eros & Adonis: The Male Figure in Art History PDF / Epub ⚣ Author Grady Harp – E17streets4all.co.uk Eros Adonis is a collection of art history articles first appearing in The Art of Man, issues one through twelve This compilation focuses on classical fine art of the male figure from the ancient Gree Eros Adonis is a collection of Adonis: The PDF/EPUB ç art history articles first appearing in The Art of Man, issues one through twelve This Eros & eBook ï compilation focuses on classical fine art of the male figure from the ancient Greeks to artists of the twentieth century Though today, & Adonis: The PDF/EPUB ¿ figurative art is often dominated by the female form, digital imagery, and photography, but it was not always this way, and the evidence is here in this comprehensive collectionThe volume begins with an Introduction by Grady Harp, and contains articles on Jean Hippolyte Flandrin, Willian Adolphe Bouguereau, Jean L on G r me, Thomas Eakins, Jacques Louis David, Guido Reni, Cornelius McCarthy, Agnolo Bronzino, Icarus, Shozo Nagano, The Orient and the Occident, Greek and Roman Sculpture, Ganymede, Wade Reynolds, The Influence of Saint Sebastian, The Influence of Apollo, William Blake, The Influence of Hercules, and Eug ne Frederik Jansson.Eros & Adonis: The Male Figure in Art History

Is a well known author, some Adonis: The PDF/EPUB ç of his books are a fascination for readers like in the Eros Adonis: The Male Eros & eBook ï Figure in Art History book, this is one of the most wanted Grady Harp author readers around the world.

Eros & Adonis: The Male Figure in Art History MOBI
    Eros & Adonis: The Male Figure in Art History MOBI evidence is here in this comprehensive collectionThe volume begins with an Introduction by Grady Harp, and contains articles on Jean Hippolyte Flandrin, Willian Adolphe Bouguereau, Jean L on G r me, Thomas Eakins, Jacques Louis David, Guido Reni, Cornelius McCarthy, Agnolo Bronzino, Icarus, Shozo Nagano, The Orient and the Occident, Greek and Roman Sculpture, Ganymede, Wade Reynolds, The Influence of Saint Sebastian, The Influence of Apollo, William Blake, The Influence of Hercules, and Eug ne Frederik Jansson."/>
  • Paperback
  • 178 pages
  • Eros & Adonis: The Male Figure in Art History
  • Grady Harp
  • English
  • 26 January 2019

10 thoughts on “Eros & Adonis: The Male Figure in Art History

  1. says:

    The title of Eros and Adonis could notclearly state its theme Eros, the impish deity of carnal love Adonis, the epitome of masculine beauty The two together unambiguously spell homoeroticism Subtitled The Male Figure in Art History, A Compilation of Articles from The Art of Man, the book is edited and largely written by Grady Harp, himself a champion of figurative art and a prolific book reviewer Disclosure Grady Harp has written enthusiastically about my recent publications The The title of Eros and Adonis could notclearly state its theme Eros, the impish deity of carnal love Adonis, the epitome of masculine beauty The two together unambiguously spell homoeroticism Subtitled The Male Figure in Art History, A Compilation of Articles from The Art of Man, the book is edited and largely written by Grady Harp, himself a champion of figurative art and a prolific book reviewer Disclosure Grady Harp has written enthusiastically about my recent publications The essays range from those devoted to a single theme The Influence of Apollo to mini monographs of individual artists Agnolo Bronzino, Guido Reni and cover a vast range of world art, from Renaissance Italy to Edo period Japan and contemporary America They offer ample evidence that the fascination with the human form, in this case specifically with the male form, is nothing short of universal.I ll begin with the thought that homoerotic art is not necessarily nor exclusively gay art Straight men and women, I believe, are as curious about the bodies of their fellow men and women as their gay counterparts It is human to compare We compare ourselves with each other all the time and often, regrettably, unfavorably we set up ideal mental images of masculine or feminine appearance and invariably do not come up to scratch As Eros and Adonis amply demonstrates, for the greater part of human history our artists haveoften than not concerned themselves with embodying these cultural ideals and offering them to pleasure the eye and mind They projected the image of ourselves as we wished we were for men, strong, muscular, imposing in stature, lean, and so on It is only relatively recently since Caravaggio Where is he in this book that artists have worked to represent men and women as they really are.But let s not forget that representations of the human form are not merely ideal but also, yes, erotic and arouse erotic response Again, it s my belief that same sex response is not limited to gay men and women It s simply human There is much denial on this subject, but even the most macho football fan, I d suggest, is succumbing in part to the power of an ancient gene that stems at the very least from the days of Greek games and Roman gladiatorial events As that great scene in the movie version of D.H Lawrence s Sons and Lovers suggests, close combat is but the flip side of that other close body encounter, sexThose of us who love art from its origins to the present day would be fooling ourselves if we failed to acknowledge a pleasurably erotic response to homoerotic art and would be failing, also, in our response to the art itself That said, kudos to Grady Harp for bringing these matters to our attention He does so in a book that is rich with illustrations that establish at once the common ground of naked masculinity through the ages the body strength, the up front sexual apparatus, the incipient fertility and the differences in our nature Art, it turns out, can tell us by reflection a great deal about what it means to be a man each work is in some sense a mirror in which we men see who we are Grady s texts, while far from academic, give us a real sense of the artists about whom he writes and, importantly, the historical period in which they worked His prose flows easily, as good prose should, and is at once eminently readable and informative I do have a couple of nit picks Admittedly, this is a huge subject and volumes could be filled with images and texts, but some of the choices and omissions do seem strange to me I mentioned Caravaggio, above Given the subject matter and the title, my mind connects immediately with this genuine, if mercurial master of the genre And where is Michelangelo s David And his Moses those two great, iconic representations of male energy, one at the spunky beginning, the other approaching the retrospectively reflective end of adult male life I d also question the inclusion of several relatively unknown artists interspersed between the likes of Reni, Thomas Eakins, William Blake These outliers seem to have been includedfor their modernity and their explicitly gay subject matter than for their historical standing Their merits notwithstanding and they are frankly hard to judge without first hand experience they make for odd bedfellows excuse the levity with the great painters of the past And if the concern is for modernity, why not consider David Hockney Lucien Freud Or even Francis Bacon One last nit pick lacking chronological arrangement of the material, I found it hard to make sense of the order in which the essays were presented Perhaps I was looking for logical coherence where a simple patchwork was intended, but I would personally have been grateful for clarification on this point, if only to give me some sense of direction and purpose Still, we sense that this is a work of personal passion and commitment,of a journal or scrapbook than a treatise, and as such it is replete with sudden insights, interesting turns and odd juxtapositions And to leaf through it is pleasure to both eye and mind

  2. says:

    The Art of Man, focuses on fine art of the male form and as of January 2013 has completed 12 editions Each book magazine contains one or two art history articles Eros Adonis is a compilation of those articles all under one cover from Firehouse Publishing With 20 articles including the introduction, their is plenty to see and read Those who already subscribe to The Art of Man know what a treasure this collection is, as they already own it Written by an art historian with an insightfu The Art of Man, focuses on fine art of the male form and as of January 2013 has completed 12 editions Each book magazine contains one or two art history articles Eros Adonis is a compilation of those articles all under one cover from Firehouse Publishing With 20 articles including the introduction, their is plenty to see and read Those who already subscribe to The Art of Man know what a treasure this collection is, as they already own it Written by an art historian with an insightful point of view, and the staff of Firehouse Gallery, as well as a few guest writers, this is a well written collection any art history enthusiast will enjoy This book is without ads except for mention of The Art of Man series in the rear Anyone who collects or enjoys figurative art, male or otherwise, should have this book in their collection

  3. says:

    Harp, Grady editor and writer , Peter Dobson and Edward Moran Eros A Compilation of Articles from The Art of Man , CreateSpace, 2013.The Art of the Male FigureAmos LassenI love that the male figure is being written about once again this is the second book this month that deals with it So often, art is dominated by the female figure but we know that it was not always that way and this book shows us just that Bringing Eros the god of carnal love and Harp, Grady editor and writer , Peter Dobson and Edward Moran Eros Adonis The Male Figure in Art History A Compilation of Articles from The Art of Man , CreateSpace, 2013.The Art of the Male FigureAmos LassenI love that the male figure is being written about once again this is the second book this month that deals with it So often, art is dominated by the female figure but we know that it was not always that way and this book shows us just that Bringing Eros the god of carnal love and Adonis the god of male beauty together gives a look at homoerotic art Now we must understand that homoeroticism is not always gay and both men and women, straight and gay, are curious about the bodies of others and how they measure up In the world of art which includes painting, sculpture, digital imagery and photography , the male figure classically is depicted with what pleases both body and mind man as he wishes to be and it was not until fairly recent that we see man as he really is Eroticism has always been part of life so it is here as well We must acknowledge that eroticism as this is what Grady Harp does so well here Looking at the male form in art teaches us a lot about the nature of masculinity and what it really means to be a man Harp not only deals with the art in his writing but also with the historical period in which that art was created We learn of beauty and history simultaneously in language that is easy to read as it tells us so much.The book is visually beautiful and the essays are all excellent We get a new look at the art of the male figure.The artists represented here are Agnolo Bronzino 1503 1572 , Guido Reni 1575 1642 , Jacques Louis David 1748 1825 , William Blake 1757 1827, Jean Hippolyte Flandrin 1809 1864 , Jean L on G r me 1824 1904 , Thomas Eakins 1844 1916, Eug ne Jansson 1862 1915 , Shozo Nagano 1928 2007 , Cornelius McCarthy 1935 2009 and Wade Reynolds 1929 2011 They represent art from the 17th to the 21st century and each is notable not only for their importance in history but also for their celebration of the male form Also are included are surveys of Greek and Roman Sculpture, the Influence of the Orient on Occidental Art, and articles on the uses of the images of Icarus, Ganymede, Apollo, Hercules, and Saint Sebastian throughout the ages up to contemporary times If some of these names sound unfamiliar to you, that will be changed after reading this book The Art of Man is a popular art quarterly and it provided the idea for this volume It is the essays that were taken from the first twelve issues of the quarterly that so well explain all that we see here This is a wonderful book for art students but it also enlightening for all of us There are twenty articles and an introduction and with Harp doing the editing and the writing, we get a real treat The guest writers also add to it all

  4. says:

    A Valuable Asset for Art History StudiesEROS ADONIS has probablyreproductions of important art from the ancient past to the present, with an emphasis on figurative up to the twentieth century than any volume available today The concept for this particular book came from the popularity of the art history essays included in the popular art quarterly The Art of Man during the initial twelve issues.The artists honored here are Agnolo Bronzino 1503 1572 , Guido Reni 1575 1642 , Jacques A Valuable Asset for Art History StudiesEROS ADONIS has probablyreproductions of important art from the ancient past to the present, with an emphasis on figurative up to the twentieth century than any volume available today The concept for this particular book came from the popularity of the art history essays included in the popular art quarterly The Art of Man during the initial twelve issues.The artists honored here are Agnolo Bronzino 1503 1572 , Guido Reni 1575 1642 , Jacques Louis David 1748 1825 , William Blake 1757 1827, Jean Hippolyte Flandrin 1809 1864 , Jean L on G r me 1824 1904 , Thomas Eakins 1844 1916, Eug ne Jansson 1862 1915 , Shozo Nagano 1928 2007 , Cornelius McCarthy 1935 2009 and Wade Reynolds 1929 2011 These artists represent art from the 17th to the 21st century and each is notable not only for their importance in history but also for their celebration of the male form.In addition to the essays on the above artists there are surveys of Greek and Roman Sculpture, the Influence of the Orient on Occidental Art, and articles on the uses of the images of Icarus, Ganymede, Apollo, Hercules, and Saint Sebastian throughout the ages up to contemporary times.The writing is illuminating and the illustrations accompanying the written word are very generous and exceptionally vivid This book should be in every art student s library and in the libraries of everyone who appreciates the impact of art history

  5. says:

    Excellent Book for All Artists I was pleased to discover this fascinating, well written book at my library system Grady Harp has certainly done his research Recommended to anyone who is an artist or is interested in becoming an artist The MALE FIGURE in ART HISTORY is educational and an informative read Grady has written and done so much for artists and authors He is a kind, compassionate man as well as a excellent author As a woman it is a treasure to see a book focus on the male figure s Excellent Book for All Artists I was pleased to discover this fascinating, well written book at my library system Grady Harp has certainly done his research Recommended to anyone who is an artist or is interested in becoming an artist The MALE FIGURE in ART HISTORY is educational and an informative read Grady has written and done so much for artists and authors He is a kind, compassionate man as well as a excellent author As a woman it is a treasure to see a book focus on the male figure since the female figure has dominated the art world for so long I recommend all libraries and art schools purchase this book for students and readers of art It is a unique gem

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