Audition: Everything an Actor Needs to Know to Get the Part



[KINDLE] ❃ Audition: Everything an Actor Needs to Know to Get the Part Author Michael Shurtleff – E17streets4all.co.uk Michael Shurtleff has been casting director for Broadway shows like Chicago and Becket and for films like The Graduate and Jesus Christ SuperstarHis legendary course on auditioning has launched hundre Michael Shurtleff has been an Actor PDF/EPUB ë casting director for Broadway shows like Chicago and Becket and for films like The Graduate and Jesus Christ SuperstarHis legendary course on auditioning has launched hundreds of successful careers Now in this book he tells the all important HOW for all aspiring actors, from the beginning student of acting to the proven talent trying out for that chance in a million role.Audition: Everything an Actor Needs to Know to Get the Part

Is a well known an Actor PDF/EPUB ë author, some of his books are a fascination for readers like in the Audition: Everything an Actor Needs to Know to Get the Part book, this is one of the most wanted Michael Shurtleff author readers around the world.

Audition: Everything an Actor Needs to Know to Get the
  • Paperback
  • 288 pages
  • Audition: Everything an Actor Needs to Know to Get the Part
  • Michael Shurtleff
  • English
  • 27 March 2017
  • 0553272950

10 thoughts on “Audition: Everything an Actor Needs to Know to Get the Part

  1. says:

    The best book on acting I have ever read, and also full of great insights into human psychology.

  2. says:

    This is a book I have bought many times over I keep lending it to people and never getting it back.I use this book to remind me of what goes into good drama.Here is a link to a blog entry that I wrote about this book This is a book I have bought many times over I keep lending it to people and never getting it back.I use this book to remind me of what goes into good drama.Here is a link to a blog entry that I wrote about this book

  3. says:

    The BEST Acting book I ve ever read I refer to this book constantly.

  4. says:

    Anyone who wants to be an actor needs to read this book It is, by far, the best book on acting I ve ever read.It is filled with fantastic advice some of it kind of obvious, much of it I ve already been following for years, but still several good reminders of how to audition well Of course, I ve already read this twice since I bought it about a decade ago, so I shouldn t be too surprised that not much seemed new to me.Michael Shurtleff was a major Broadway and Hollywood casting director He of Anyone who wants to be an actor needs to read this book It is, by far, the best book on acting I ve ever read.It is filled with fantastic advice some of it kind of obvious, much of it I ve already been following for years, but still several good reminders of how to audition well Of course, I ve already read this twice since I bought it about a decade ago, so I shouldn t be too surprised that not much seemed new to me.Michael Shurtleff was a major Broadway and Hollywood casting director He often worked with David Merrick and helped find such stars as Barbra Streisand, Dustin Hoffman, Bette Midler and Gregory Hines He has worked with Bob Fosse who wrote the meta foreword and Andrew Lloyd Webber and helped cast the films The Graduate and The Sound of Music He seems to know his stuff having seen thousands if not millions of actors audition for various roles over the years.The book has many interesting anecdotes from his years of experience, several classroom dialogues illustrating his different guideposts, a few leads on plays with good scenes and indispensable advice for anyone trying to land a role whether in Hollywood or Hicksville I wasted nearly half a pen re highlighting this book my yellow highlighter from 10 years ago had almost completely disappeared on these yellowing pages , there s just that much good advice within

  5. says:

    Definitely read this if you want to do anything in the field of drama Or if you like philosophy Or if you like weird, random stories about Barbra Streisand.

  6. says:

    The New York casting director who writes this book focuses almost entirely on cold readings including only a section on monologues which says, essentially, all the same stuff applies However, my friend, the son of a New York Actress informed me that most New York Theatres audition with monologues and not cold reads When was the book written The 70s Ah, that must be it I suppose, after they all read the book, they realised how mad the idea really was And so the matter was resolved.I en The New York casting director who writes this book focuses almost entirely on cold readings including only a section on monologues which says, essentially, all the same stuff applies However, my friend, the son of a New York Actress informed me that most New York Theatres audition with monologues and not cold reads When was the book written The 70s Ah, that must be it I suppose, after they all read the book, they realised how mad the idea really was And so the matter was resolved.I enjoyed the light humour that pervaded this book I don t read much non fiction cover to cover, but Shurtleff took this beyond the informative into the enjoyable with all his anecdotes and experiences

  7. says:

    Good tips Direct, no bullshit advices.Every actor or director should read once.a bit boring though Was really hard to readthan 20 pages a day.

  8. says:

    As an aspiring actor, I loved reading this book Shurtleff takes you into the audition scene and gives you real life examples of what to do and what not to do Some of the advice he gives is pretty self explanatory but still extremely helpful For me, I have referred back to this book to help me get into a good acting mindset It emphasizes being yourself during an audition, while taking advantage of the many parts of the audition so the auditor gets a well rounded view of what you can do.This b As an aspiring actor, I loved reading this book Shurtleff takes you into the audition scene and gives you real life examples of what to do and what not to do Some of the advice he gives is pretty self explanatory but still extremely helpful For me, I have referred back to this book to help me get into a good acting mindset It emphasizes being yourself during an audition, while taking advantage of the many parts of the audition so the auditor gets a well rounded view of what you can do.This book gives information that is not only helpful in auditions, but can be implemented in basically every part of acting I really like how this book talks about human nature and integrating that into character development I d say the most helpful section for an actor would be the Twelve Guideposts In these chapters, Michael Shurtleff gives great outlines for making the character come to life using things like relationships, conflict and motivation My favorite guidepost is number 6, Discoveries In this guidepost, it talks about being involved in the moment, which can lead to new discoveries about other characters, themselves, the scene, or the show as a whole It explains that thediscoveries the actor makes in a scene, the better it will be I recommend this book to actors, directors, and anyone involved in the show biz, but it can be useful in real life as well It gives good tips on how to present and market yourself that can be useful in job interviews and meeting new people

  9. says:

    Shurtleff shares many nuggets of wisdom for actors in this book, though those nuggets are sometimes buried due to the book s lack of clear structure.I am an improvisor, and I haven t auditioned for a scripted play since I was a kid Some of the advice in this book is particularly useful for actors auditioning for scripted plays, but I still found a lot of useful advice for acting in improvised scenes as well.The core of the book sets forth the 12 guideposts for reading a script in an audition Shurtleff shares many nuggets of wisdom for actors in this book, though those nuggets are sometimes buried due to the book s lack of clear structure.I am an improvisor, and I haven t auditioned for a scripted play since I was a kid Some of the advice in this book is particularly useful for actors auditioning for scripted plays, but I still found a lot of useful advice for acting in improvised scenes as well.The core of the book sets forth the 12 guideposts for reading a script in an audition Though I do not do script readings myself, these guideposts can still be useful when doing improv scenes When practicing improv, I could focus on a particular guidepost to develop my ability in that arena Hopefully, this would eventually lead to performing in accordance with all of the guideposts after practicing enough

  10. says:

    Lots of valuable information Best excerpt for me is to give an ENTIRE range of who you are in an audition An audition is NOT the performance.This rang very true for me An audition is the chance to show the auditor WHO you are Your personality. and all facets of it This book is a staple for any serious actor with each new set of sides I receive. I touch base with my highlighted parts and get renewed Lots of valuable information Best excerpt for me is to give an ENTIRE range of who you are in an audition An audition is NOT the performance.This rang very true for me An audition is the chance to show the auditor WHO you are Your personality. and all facets of it This book is a staple for any serious actor with each new set of sides I receive. I touch base with my highlighted parts and get renewed

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